Parti, form, and performance art

Continuing the drawing element from my initial designs, I think Carolee Schneemann's performance art piece Up to and Including Her Limits would be a fitting way to tie the projects together.

For this reason, I decided to experiment with her form in creating a suitable parti diagram and seeing if kinetic spaces of the building could be identified from this process. Below are my results using the first image. I initially noted that her whole body was in movement via a single dashed line, but it became apparent that in that instant, her legs, hips and one arm would be doing the movement. I then indicated the vertical motion of her legs and arm via a thinner purple dash. The final geometry seems to be very simple (a connection of squares and triangles), but perhaps this will work well in the site context in relation to the Story Bridge and sheds. I'll most likely explore this configuration.